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Stillanerd Reads: Amazing Spider-Man #26

Amazing Spider-Man #26 featured image

Credit: Ryan Ottley, Nathan Fairbairn, Nick Spencer, and Joe Caramagna (Marvel Comics)

There are several reasons why Nick Spencer’s Superior Foes of Spider-Man is (or at least should be) a modern comic book classic. Chief among them is how the series pokes fun at superhero conventions without any mean-spiritedness. After all, everybody loves reading about costumed characters with superhuman powers no matter how old they are.

Nevertheless, even the most devoted superhero fan knows just how patently ridiculous the genre is. We are talking about men and women dressed in tights and fighting, or committing, crimes, don’t forget. No matter how serious it might be, there’s always something silly about people going about their day-to-day lives wearing what are essentially elaborate Halloween costumes.

Take for instance the key scene from Spencer’s Amazing Spider-Man #26 (LGY #827). Janice Lincoln, the new Beetle, attempts to recruit Francine Frye, the new Electro, into the all-new, all-female Sinister Syndicate. As part of her pitch, Beetle offers Electro lucrative perks, including a 401K plan, non-traditionalist workspace, and childcare. She talks about the great strides women are making in the male-dominated culture of organized crime. The other four members stand around during a coffee break, complaining about the abundance of dairy in the fridge.

And the whole time I read this, and saw Electro look more confused and apprehensive, I kept telling myself, “But you’re super villains!” Hence the comedic genius of this comic. The more seriously the Sinister Syndicate try to make themselves, the less serious they are.

Credit: Ryan Ottley, Nathan Fairbairn, Nick Spencer, and Joe Caramagna (Marvel Comics)

The one character who seems in on the joke is Peter Parker’s roommate and supposedly reformed crook, Fred Myers, a.k.a. Boomerang. It’s precisely because he seems patently ridiculous that everyone, including criminal masterminds like the Kingpin, almost always underestimate him. Not to mention that, under Spencer, Fred has become the charming rogue personified. Even Peter can’t help but like the guy despite knowing that Fred’s probably full of it.

As far as the actual story for Amazing Spider-Man #26 goes, there isn’t much of one. It’s primarily an update on Peter and Fred’s growing friendship, and the Sinister Syndicate plotting revenge against Fred for entirely personal reasons. It’s the first act of a longer story and a hilarious one at that.

Guest artist Kev Walker also does a capable job. I must confess that, in the opening pages, I mistook his work for that of Ryan Stegman given the similarity of styles. However, Walker gives his illustrations a softer touch, using his inks to strictly highlight. He also keeps his perspective angles to a minimum. There are no overly-exaggerated bird’s eye or worm’s eye views here. His is a comfortable style to look at, though he does seem to draw the twentysomething Peter with wrinkles and worry lines of fortysomething.

Those who are nostalgic for Superior Foes of Spider-Man will appreciate Amazing Spider-Man #26. Perhaps it may even make you long for a revival of that series. Or at least make you wonder why Spencer hasn’t pitched Marvel his idea for a Boomerang solo series yet.

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Check Out: Stillanerd Reads: Amazing Spider-Man #25

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