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Stillanerd Reads: Powers of X #5 “For the Children”

After House of X #2 revealed Moira MacTaggert as a secret mutant, Powers of X #2 shows how the X-Men, in all timelines, take their fight to the machines. When Powers of X #3 reveals that a century into the future was another of Moira’s ten lives, House of X #3 and #4 depicts Cyclops’ team of X-Men on a suicide mission. So House of X #5 depicts Cyclops’ team revived via cloning, how does writer Jonathan Hickman follow this up in Powers of X #5? By showing how Professor X turned Krakoa into a nation.

Thus we see Charles Xavier and Magneto court Emma Frost to their cause. We see all three form the foundation for what will be Krakoa’s government. We see Xavier deliver a psychic broadcast to all mutants, heroes and villains alike, promising them a refuge from a hateful world, and that this time, everything will be different.

Of course, Powers of X #5 also takes the time explaining how Xavier made it possible for Cerebro to copy and catalog mutant souls. Seems the technopath Forge was in on Cerbero’s upgrade. It also apparently takes a tremendous amount of data storage to do what Xavier wants. The more Xavier talks about what he wants Forge to do, the less our minds are at ease. Everything Xaiver does in the comic–especially how he plans on smuggling Krakoa’s mutant drugs into countries that don’t want them–feels shady.

Credit: R.B. Silva, Marte Gracia, and Tom Muller (Marvel Comics)

You can even see this in R.B. Silva’s art. As Xavier continues talking with Forge, Silva increasingly makes Xavier look more menacing and duplicitous. By the end of their conversation, Xavier smiles like the Cheshire Cat, poised in his wheelchair like Mr. Burns. It’s a real testament to Silva’s skill that he can visually convey the malicious intent behind Xavier’s words.

Then again, would we even be thinking this had we not read House of X #5 beforehand? For everything Professor X does to create his utopia must now be seen in the context of the previous issue. When a shocked Emma says that what Xavier is doing isn’t “heroic…just reckless,” we believe her. That the haughty Namor the Sub-Mariner compliments Xavier for finally realizing how humans will always hate mutants out of envy, we should be thinking how did Xavier lose his way this bad. Just like House of X #5, Hickman makes us ask at what price does one pay for the sake of saving one’s people?

Regardless, Powers of X #5 is still all about the set-up. Nor does it technically advance the overall story. This comic is really just a series of extended flashbacks with one possible flash-forward. The “Quiet Council of Krakoa” Xavier, Magneto, and Emma are building are as much about establishing the mission statements for upcoming X-titles as it is about creating a governing body. What new things we learn just elaborate on what we already knew. The scenes from 1,000 years into the future are just as nebulous and disconnected as ever.

Yet Hickman still makes it all so fascinating. Having shown us what will come of Xavier’s plans for Krakoa beforehand, he makes us curious as to how Xavier got there. And with Silva’s illustrations and Marte Gracia’s vibrant colors, politicking and backroom deals never looked so splendid. Powers of X #5 just might be one of the most visually striking, dramatically-plotted addendums ever created.

With only two more chapters of his “Two Series That Are One” to go, much of what Hickman has established for his revamp of the X-Men is now in place. Likely there are at least one or two more bombshells ready to drop. Something must have happened beyond what he read in Moira’s mind to shift Xavier’s ethical compass. And is the future of “X-Men, Year One-Thousand” the true fate of humanity and Earth? Whatever it is, congratulations, Mr. Hickman. You have us hooked.

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Check Out: Stillanerd Reads: House of X #5

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